If you’re looking for the best macro cine primes at T2.8 for stunning close-ups, I recommend considering models like the DZOFilm VESPID 90mm, SIRUI Jupiter 75mm, and Slasher 100mm. These lenses offer excellent optical quality, smooth focus control, and impressive macro capabilities, making them perfect for detailed shots. They’re built tough and support wide apertures for creative depth. Keep exploring—there’s much more to discover about these exceptional lenses.
Key Takeaways
- These macro cine primes feature T2.8 apertures, perfect for stunning close-up shots with cinematic depth.
- They offer short focus distances, high magnification ratios, and precise focus control for detailed macro work.
- Built with durable metal housings, weather sealing, and industry-standard gear systems ensure robust performance.
- Notable models include the DZOFilm VESPID 90mm, SIRUI Jupiter 75mm, and Slasher 100mm, all supporting full-frame formats.
- Their optical design minimizes distortion and flare, maintaining sharpness and true-to-life proportions at close focusing distances.
| DZOFilm VESPID 90mm macro T2.8 Lens (PL & EF Mounts) |  | Cinematic Versatility | Mount Compatibility: PL & EF mounts | Aperture Range: T2.8 | Focus Rotation: 270° | VIEW LATEST PRICE | https://chatgpt.com/c/692 |
| SIRUI 75mm Jupiter Macro T2 Full-Frame Cine Prime Lens (EF Mount) |  | Macro Precision | Mount Compatibility: EF mount | Aperture Range: T2.8–T22 | Focus Rotation: 200° | VIEW LATEST PRICE | https://chatgpt.com/c/692 |
| DZOFilm VESPID 90mm macro T2.8 Lens (PL & EF Mounts) | | Compact Durability | Mount Compatibility: PL & EF mounts | Aperture Range: T2.8 | Focus Rotation: 270° | VIEW LATEST PRICE | https://chatgpt.com/c/692 |
| Slasher 100mm T2.8 Macro Cine Lens |  | High-Resolution Power | Mount Compatibility: PL mount (EF & E sold separately) | Aperture Range: T2.8–T22 | Focus Rotation: Manual, focus distance 0.39m | VIEW LATEST PRICE | https://chatgpt.com/c/692 |
| SIRUI 100mm Jupiter Macro T2 Full-Frame Cine Prime Lens (PL Mount) |  | Macro Excellence | Mount Compatibility: PL mount | Aperture Range: T2.8–T22 | Focus Rotation: 200° | VIEW LATEST PRICE | https://chatgpt.com/c/692 |
| Slasher 75mm T2.8 Cine Lens for Cinema Cameras |  | Artistic Focus | Mount Compatibility: PL mount (EF & E sold separately) | Aperture Range: T2.8–T22 | Focus Rotation: 108 teeth, focus 0.8 MOD | VIEW LATEST PRICE | https://chatgpt.com/c/692 |
More Details on Our Top Picks
DZOFilm VESPID 90mm macro T2.8 Lens (PL & EF Mounts)
The DZOFilm VESPID 90mm macro T2.8 Lens is ideal for filmmakers who need exceptional detail and cinematic quality in their shots. Its 90mm focal length and T2.8 aperture deliver stunning visuals, perfect for capturing intricate close-ups on full-frame and Vista Vision cameras. The 16-blade diaphragm produces smooth, rounded bokeh, adding artistic depth to backgrounds. Designed with both PL and EF mounts, it integrates seamlessly with professional gear, boosting workflow flexibility. The manual focus ring offers 270° rotation for precise, smooth adjustments, keeping subjects sharp at 0.84. Built with durable metal, it’s a reliable choice for demanding productions.
- Mount Compatibility:PL & EF mounts
- Aperture Range:T2.8
- Focus Rotation:270°
- Macro Capabilities:Yes, 0.84m focus
- Image Circle / Coverage:Full-frame / Vista Vision
- Construction & Durability:Metal housing, industry gears
- Additional Feature:Smooth 270° focus rotation
- Additional Feature:16-blade rounded diaphragm
- Additional Feature:Metal durable housing
SIRUI 75mm Jupiter Macro T2 Full-Frame Cine Prime Lens (EF Mount)
If you’re seeking a versatile lens capable of capturing stunning macro details on full-frame cameras, the SIRUI 75mm Jupiter Macro T2 is an excellent choice. With its EF mount, it offers sharp, high-quality images with excellent color reproduction and minimal distortion. Its 12-element design ensures precise control over aberrations, and the T2.8 aperture provides beautiful shallow depth of field. The macro capability of 0.29 meters allows for 1:1 magnification, perfect for close-up shots. Its 200° focus rotation, combined with minimal focus breathing, makes manual focusing smooth and accurate. Overall, this lens balances size, weight, and optical performance for professional cinematic and macro work.
- Mount Compatibility:EF mount
- Aperture Range:T2.8–T22
- Focus Rotation:200°
- Macro Capabilities:Yes, 0.29m focus, 1X mag
- Image Circle / Coverage:Full-frame
- Construction & Durability:Well-balanced, metal, weather-sealed
- Additional Feature:13-blade aperture
- Additional Feature:0.29m macro distance
- Additional Feature:Minimal focus breathing
DZOFilm VESPID 90mm macro T2.8 Lens (PL & EF Mounts)
Designed for professional filmmakers seeking exceptional detail and cinematic depth, the DZOFilm VESPID 90mm macro T2.8 lens offers a perfect blend of precision and versatility. Its 90mm focal length and T2.8 aperture deliver stunning visuals, ideal for close-up shots on full-frame and Vista Vision cameras. The 16-blade diaphragm produces smooth, rounded bokeh, enhancing artistic backgrounds. With both PL and EF mounts, it integrates seamlessly into various workflows. The manual focus ring rotates 270°, allowing for precise, smooth focusing, even at 0.84 meters. Built with durable metal and industry-standard gears, this lens guarantees reliable operation and longevity for professional productions.
- Mount Compatibility:PL & EF mounts
- Aperture Range:T2.8
- Focus Rotation:270°
- Macro Capabilities:Yes, 0.84m focus
- Image Circle / Coverage:Full-frame / Vista Vision
- Construction & Durability:Metal housing, industry gears
- Additional Feature:Industry-standard 0.8M gears
- Additional Feature:Designed for cinematic depth
- Additional Feature:Precise manual focus ring
Slasher 100mm T2.8 Macro Cine Lens
For filmmakers seeking exceptional close-up detail and cinematic depth, the Slasher 100mm T2.8 Macro Cine Lens stands out as an ideal choice. Designed for full-frame cinema cameras, it supports 8K resolution and offers stunning edge-to-edge sharpness. Its 100mm focal length delivers beautiful background separation and telephoto compression, perfect for close-ups. The all-metal, weather-sealed construction guarantees durability in tough environments. With a precise manual focus ring and a minimum focus distance of just over 15 inches, it provides excellent control. Weighing around 1.9kg, it’s versatile for handheld, gimbal, or tripod setups, making it a reliable tool for professional macro cinematography.
- Mount Compatibility:PL mount (EF & E sold separately)
- Aperture Range:T2.8–T22
- Focus Rotation:Manual, focus distance 0.39m
- Macro Capabilities:Yes, 0.39m focus, macro 1:1
- Image Circle / Coverage:Full-frame, 43.5mm circle
- Construction & Durability:All-metal, weather-sealed
- Additional Feature:Supports 8K resolution
- Additional Feature:Weather-sealed metal body
- Additional Feature:Compact handheld design
SIRUI 100mm Jupiter Macro T2 Full-Frame Cine Prime Lens (PL Mount)
The SIRUI 100mm Jupiter Macro T2 Full-Frame Cine Prime Lens (PL Mount) is an ideal choice for filmmakers who need both macro capabilities and high-quality image performance. It’s designed for full-frame sensors, weighing just 810g, with a compact 125.3mm length. Its 13-element, 9-group structure delivers sharpness, excellent color reproduction, and minimal distortion. The lens’s T2.8 aperture allows cinematic depth, while its macro focus reaches just 0.29m with a 1.5x magnification. Focus is manual with a smooth 200° rotation, minimal breathing, and optical coatings that reduce glare. It’s perfect for capturing stunning close-ups in professional cinematic productions.
- Mount Compatibility:PL mount
- Aperture Range:T2.8–T22
- Focus Rotation:200°
- Macro Capabilities:Yes, 0.29m focus, macro 1.5:1
- Image Circle / Coverage:Full-frame
- Construction & Durability:Metal housing, weather-resistant
- Additional Feature:1.5:1 macro magnification
- Additional Feature:13-element optical structure
- Additional Feature:200° focus rotation
Slasher 75mm T2.8 Cine Lens for Cinema Cameras
If you’re shooting high-resolution 8K cinema productions or detailed commercials, the Slasher 75mm T2.8 Cine Lens stands out with its full-frame coverage and minimal breathing. Its 75mm focal length offers a perfect balance for capturing stunning close-ups and portrait shots, while the T2.8 aperture provides excellent light control. Built with all-metal durability and splash-proof sealing, it’s reliable in demanding environments. The lens supports smooth focus shift with low distortion, making it ideal for cinematic storytelling. Weighing just 1.7kg, it’s versatile for handheld, gimbal, or stabilized rigs, ensuring consistent, high-quality results in any shooting scenario.
- Mount Compatibility:PL mount (EF & E sold separately)
- Aperture Range:T2.8–T22
- Focus Rotation:108 teeth, focus 0.8 MOD
- Macro Capabilities:Yes, 0.27m focus, macro
- Image Circle / Coverage:Full-frame / Super 35 (32.1° diagonal)
- Construction & Durability:All-metal, dust/splash resistant
- Additional Feature:Supports full-frame 43.5mm circle
- Additional Feature:0.27m minimum focus
- Additional Feature:All-metal construction
Factors to Consider When Choosing Macro Cine Primes T2.8
When selecting Macro Cine Primes T2.8, I focus on factors like aperture flexibility and focus control precision to guarantee smooth operation. Compatibility options and optical quality are also essential for seamless integration and sharp images. Finally, I consider build durability to withstand demanding shooting conditions and long-term use.
Aperture Flexibility
Aperture flexibility is vital when selecting macro cine primes T2.8 because it directly impacts your ability to control exposure and depth of field. A lens with a consistent T2.8 maximum brightness ensures reliable exposure, especially in low-light conditions. The range from T2.8 to T22 allows you to switch between shallow and greater depth of field, perfect for emphasizing macro details or capturing broader scene context. The number of aperture blades, typically 13 to 16, influences the shape of out-of-focus highlights, adding to your visual style. Smooth, clickless aperture adjustments are essential for seamless scene changes without interrupting continuity. Overall, versatile aperture control helps you adapt to different lighting and creative needs, making your macro shots both technically sound and aesthetically compelling.
Focus Control Precision
How precisely you can control focus is critical when selecting macro cine primes T2.8. Manual focus rings with rotation angles between 200° and 270° provide the fine-tuning needed for close-up work. The focus gear pitch, usually 0.8mm, ensures compatibility with follow-focus systems, allowing smooth, accurate focus pulls. Minimal focus breathing—often less than 1%—keeps framing consistent during focus transitions, which is essential for cinematic storytelling. Longer focus rotation angles give focus pullers better control, even at very close distances. High-quality macro cine primes feature well-engineered focusing mechanisms that operate smoothly and without backlash, ensuring reliable focus control in demanding professional shoots. This combination of precision and reliability is necessary for achieving stunning, crisp close-up imagery.
Compatibility Options
Choosing the right macro cine primes T2.8 involves careful attention to compatibility options to guarantee smooth integration with your camera system. First, check that the lens mount matches your camera, whether it’s EF, PL, or E mount. If you’re using a full-frame camera, ensure the lens supports full-frame sensors to prevent vignetting or crop issues. Some lenses offer interchangeable mounts or adapters, providing flexibility across different brands and models. It’s also essential to verify that the lens’s focusing and aperture controls work seamlessly with your existing rig or follow-focus system. Ultimately, consider the lens’s size and weight to maintain balanced handling and smooth operation during shoots. These compatibility factors help ensure your macro cine primes function flawlessly within your setup.
Optical Quality
When evaluating macro cine primes T2.8, optical quality is crucial for achieving sharp, detailed images with accurate color reproduction across the entire frame. High sharpness ensures every macro detail is crisp, while minimal distortion maintains true-to-life proportions. Coatings on lens elements reduce veiling glare and lens flare, boosting contrast and clarity in challenging lighting. The number of lens elements and groups, such as 12 elements in 9 groups, plays a significant role in correcting aberrations and preserving image fidelity. Consistent optical performance at close focusing distances guarantees sharpness in macro shots. Additionally, advanced optical designs facilitate smooth focus transitions with minimal focus breathing, which is essential for maintaining cinematic continuity during focus pulls. Overall, optical quality directly impacts the visual quality and professionalism of your footage.
Build Durability
Optical performance alone isn’t enough; durability is vital for reliable macro cine prime operation throughout demanding shoots. I prioritize lenses with all-metal housings, ensuring robustness and resistance to wear and tear over time. Weather-sealing or splash resistance is essential if I plan to shoot outdoors, as it protects the lens in challenging environments. I also verify that focus and iris gears are industry-standard 0.8M, which guarantees compatibility with professional follow focus systems. A sturdy focus mechanism, like a 270° rotation, allows precise manual control, especially important for macro work. Finally, I look for high-quality construction that can withstand frequent use and transportation. These durability factors ensure my macro cine primes remain reliable, even in the toughest shooting conditions.
Size and Weight
The size and weight of macro cine primes T2.8 considerably impact how I handle and incorporate them into my camera rig. Lenses range from compact 125mm models to larger over 200mm options, affecting compatibility with my camera setup. Heavier lenses, weighing around 1.9kg, require extra support and stabilization, which can complicate handheld shots. Lighter, shorter lenses, around 810g, are more suitable for quick, handheld work and extended shoots. The physical dimensions, including diameter and length, also influence how easily I can attach matte boxes and filters. Balancing the rig is essential, especially during long shoots, to prevent fatigue and ensure smooth operation. Overall, considering size and weight helps me choose lenses that match my shooting style and setup needs effectively.
Macro Capabilities
Considering the size and weight of macro cine primes T2.8 helps me evaluate their macro capabilities, which are essential for capturing detailed close-up shots. These lenses typically allow focusing from about 0.29m to 0.84m, enabling precise framing of small subjects. Their high magnification ratios, often 1:1 or greater, ensure I can reproduce tiny details with accuracy. A shorter minimum focus distance combined with high magnification lets me achieve sharp, detailed images across the entire frame. Additionally, macro cine primes designed for cinematic use feature minimal focus breathing, maintaining consistent framing during focus pulls. The optical design, including specialized elements and coatings, is optimized to deliver high resolution and contrast at close distances, making them ideal for capturing stunning macro footage.
Frequently Asked Questions
How Do Macro Cine Primes Differ From Standard Cine Lenses?
Macro cine primes differ from standard cine lenses primarily in their ability to focus very closely, capturing intricate details with exceptional clarity. They offer a much shorter minimum focusing distance, allowing me to get stunningly close to my subject. These lenses also maintain high image quality at T2.8, providing sharpness and beautiful bokeh. I love how they enable me to achieve breathtaking close-ups that reveal textures and tiny details impossible with regular lenses.
What Are the Best Macro Cine Primes for Handheld Filming?
If you’re looking for the best macro cine primes for handheld filming, I highly recommend the Zeiss CP.3 50mm T2.1 Macro and the Sigma Cine 70mm T2.8 Macro. They’re lightweight, compact, and deliver stunning image quality even when handheld. Their smooth focus rings make close-up shots easy, and their robust build guarantees durability. These lenses help me capture detailed, sharp images on the move, making my handheld shoots seamless.
How Does Lens Mount Compatibility Affect Choice of Macro Primes?
When choosing macro primes, lens mount compatibility is essential. For example, I once tried a lens designed for Canon mounts on my Sony camera—results were disappointing because adapters can introduce issues or reduce quality. I always check if the lens natively fits my camera’s mount to guarantee peak performance. Compatibility affects autofocus, image quality, and ease of use, so I recommend sticking to lenses compatible with your camera’s mount for the best results.
Are There Specific Lighting Considerations for Macro Close-Ups?
Lighting for macro close-ups requires careful attention to avoid harsh shadows and highlight details. I prefer soft, diffused light to evenly illuminate tiny subjects and reveal textures clearly. Using reflectors or ring lights helps reduce shadows and adds a pleasing catchlight. I also consider the angle of light to enhance depth and contrast, making every detail pop without overwhelming the scene. Proper lighting truly transforms macro shots into stunning visuals.
What Is the Typical Price Range for High-Quality Macro Cine Primes?
You’ll typically spend between $3,000 and $10,000 for high-quality macro cine primes. I’ve found that this range reflects the craftsmanship and optical precision these lenses offer, especially at T2.8. If you’re serious about close-up shots, investing within this bracket guarantees sharpness, minimal distortion, and reliable performance. It’s worth saving up, because these lenses truly elevate your footage, capturing stunning details with clarity that’s hard to match.
Conclusion
Choosing the right macro cine prime lens is like finding the perfect paintbrush for a masterpiece – it brings your vision to life. Whether you prefer the detailed focus of the DZOFilm VESPID or the versatility of the SIRUI Jupiter, each lens offers something unique. I encourage you to contemplate your shooting style and needs—these lenses will help you capture stunning close-ups that pop just like a jewel in the sun.
